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Literature by DorianHarper

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November 11, 2012
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The Last Battle

  In a room filled with glowing blood crystals, a tyrian purple reptilian man sat in his high throne engraved with gargoyles. His hands waved over a hovering holographic map of the Milky Way Galaxy. He laughed as shades of purple covered nearly all the map.

  Only Okma was highlighted in blue at this star system. He touched that star and an image of a planet flickered above the map. The planet had ships flying around like bees warning each other of danger.

  “Oh Spacers,” the man chuckled. “All your worlds are destroyed by my touch. Your corpses are disintegrated by my footsteps. You don’t stand a chance in the universe. Now, my Titan Empire has become my galaxy against your world. You will all perish.”

  A spiky armored-Titan entered the room. “Lord Seiton, my men are ready.”

  His throne creaked as Seiton turned to the soldier and smiled. “Excellent, activate the relay and set our course to Okma. It is time to finish off the Spacers.”

  “Yes, my lord,” the soldier bowed and hurried out of the room.

  Meanwhile, the last fleet of Spacer cruisers formed themselves a shield around their home world. They appeared as a set of three large blue glass spheres connected by gold rails on each side with wings. There, they waited in the atmosphere for their enemies to close in.

  Some distance away, a white speck appeared and spread outward into a vortex. Violet streams of electricity shot out as swarms of sharp corners emerged out of the void. The Titans' movements were sharp, precise, and cut through the defense wall and Spacer ships fell as a storm of shooting stars. The Titans mercilessly spread the full extent of their invasion upon the people of Okma. Fires burned across the land like wildfire, and even the oceans themselves were unable to escape.

    Gaion, the only remaining city, stood tall from this growing storm. The tallest tower in this last city quickly spread an orange force field as their attempt to hold back the ships' attack. To buy more time, the remaining Spacers activated their turrets. Blue beams pierced through the overhanging clouds of destruction. The first line of Titan cruisers disintegrated upon contact. Hundreds remained. Angered, they fired and the Spacer's shields wavered until it shattered like thin glass.

    Spacer soldiers ran out of the city just as it was destroyed. The Titan ships landed and their troops ran after them. The Spacers ran through the burning forest as the tall, grey-skinned Titans were gaining on them. These Spacers soldiers their rifles fired particle beams as they ran. Burning trees kept falling like dominoes making them slide under them.

    As the Spacers found themselves in a desert of ash, a few of them threw gamma grenades, which vaporized a couple rows of Titans. Many of the Titans retreated, having had their armor torn apart, revealing their glowing open wounds. Some hacked away burning trees with their swords with blades of electrical blades. A couple released either lightning bolts, or bolts of lightning from their hands and blasted a path out of the forest.

    As the Spacers fled, they caught a glimpse of half of an iron step pyramid. The Spacers were knocked down as Titan tanks plunged from the sky and smashed into the surface like meteorites. These resembled giant king crabs with eight high legs attached to a spherical body and two particle accelerator cannons as pincers. With agility and speed, the Spacers leaped onto them and tossed their last grenades into the accelerators. They jumped off and took cover just as the tanks exploded.

    The Spacers hidden in the bunker grabbed the ionic machine guns from the armory and aimed them out of the openings. On their scope, they spotted three of their comrades running to them with a wave of Titans behind them. Two of them opened the bunker and fired with their cosmic ray launchers. Then balls of lightning shot out of the weapons ripping enemy ships apart. The running Spacers sprinted to the open the vehicle entrance and pushed a button to seal themselves inside.

    In the bunker, the computer screens that covered the walls showed the planetary defense systems failing as more Titan ships kept entering Okma’s orbit from the open rift. The Spacers fleet had been destroyed along with the cities. Some soldiers loaded their weapons in a dark armory and ran to the windows to fire at the Titans. The others were at the back of the bunker repairing their tanks. These looked like blue, glowing fighter jets with bulky accelerators instead of wings.

    One of them, a Spacer, touched the back of his neck. The nanobots of his diamond armor released the latches. Steam hissed out of the opening. He lifted his helmet off. His snow white skin touched the air. Tattoos cyan icicles scarred the Spacer's neck and forehead. He revealed his pale face with purple flame tattoos on his cheeks. His hand passed the long white hair to touch his communicator implant in his ear.

    "Captain Carato,” he yelled through the firestorm. “Corporal Fedlo, here. We are pinned at north of the Atla Region."

    Captain Carato responded. "I'll contact Councilor Feidlima to get your men out of here. Once she finds you, follow her into the Ark. Hold the Titans off as long as you can."

    A woman dressed in a thin-skinned diamond suit awoke to find herself under a pile of burning metal scraps. She turned her head around to look for her helmet. She frowned as it was crushed to bits by the rubble. It was dark and so she closed her artificial eyes and her vision was changed to night vision.

    Water began to fill the air gap her head was in. To make matters worse, a tank opened hissing a vapor of green toxic gas. She coughed continuously as she began to suffocate. She held her breath and puts her hand into the water. The water got sucked into her suit. Mist shot out of that hand and sealed that leaking tank.

    She looked up and saw a small hole with a light beaming down to her. With all her strength regained, she pushed the rubble up and got up on her feet. She benched down and punched the hole to make it bigger. After she was able to climb out of the scraps, she found herself in the middle of Gaion, now just a mountain range of rubble.

    "Feidlima, are you there?" her communicator vibrated in her ear.

    She touched her ear, "Yes, Captain Carato. What's the situation?"

    Captain Carato said, "Most of us are at the Ark. Corporal Fedlo and his team are being bombarded at one of our bunkers. They want to get escorted to the Ark and they need you. Please!"

    "Give me the coordinates to the bunker," said Feidlima. Five seconds later, a holographic map projected out of her wrist. Looking at where she was to the bunker, she then absorbed all the water in the city. Sprinting through the burning forest, she began to put the fire out by spewing mist out of her palms.

    She got out of the other side of the forest and leaped to the top of a sand dune. There the Titans were firing at the Spacers' bunker with their tanks. Her eye implants zoomed in close to the bunker. As she looked, the cosmic launcher-wielding Spacers continued to fire at more approaching Titan fighter ships. More tanks flew down to the ground to blow up the bunker. One Titan fired his sniper and hit a couple of magazines of the Spacers’ machine guns, electrifying three Spacers to death. The soldiers regrouped and continued to fight.

    Finally, she ran up to the Titans' side of the battlefield and placed her hand on the ground. Blue mists spewed from the arm of her suit causing the opponent's side to transform into a frozen landscape. More Titans stepped onto the ice and crystallized into frozen sculptures.

    A few more Titans dived from their ships and she fired radiated ice bullets from her pistol at them. As the projectiles struck them, they froze and smashed into pieces as their bodies crashed to the surface. Other Titans charged at her and she pressed her hands firmly to the ground. Her hands glowed and she waved them around and aimed for the ground. Then stakes of ice pinned more of them. A couple of surviving Titans charged at her, but she impaled them with her ice blades from her arms.

    Fedlo and the others bowed to her as she entered the bunker. He said, "Councilor Feidlima, twenty-five of my soldiers died."

    "You did what you could," said Feidlima. "We must reach the Ark. Councilor Cade had his men hack the Titans' gates, sending every fleet of their ships into this region."

    Fedlo's eyes widened, finding this news nothing short of insane, "You transported them from across the galaxy to here? They will wipe us out."

    "If we don't activate the portal in time," she warned. "Now hurry!"

    Feidlima wanted the Titans to believe they killed every Spacer in there. Under her order, Fedlo rushed to the control panels and placed his hand on a red square for self-destruct. They exited through the back of the bunker and headed towards the Ark. As the bunker exploded, the Titans searched around looking for any survivors. Luckily, her forces were escorted out of the area.

    Columns of smoke rose from mountains of ash and dust as the Spacers passed by. Their vehicles skid from the ground’s shaking. Within minutes, they came upon a massive golden pyramid with engraved writings. The white tip brightened by the countdown for the Ark’s launch.

    Fedlo's men rushed out of the convoy and headed to the top while Feidlima stayed behind, freezing everything. Titan fighter ships locked their targets onto her. A male Spacer with a cannon shaped like a Van de Graaff generator shot them down.

    Feidlima ran up to him, "Thank you, Judus!"

    Judus grabbed her hand, "Come on!"

    Feidlima and Judus looked up and saw more waves of Titan ships coming out of the rift. The last Spacer fleet hovered above the Ark and then flew into its hangar. The rest of the Councilors-- Teutor, Cuno, and their leader Cade guarded the entrance at the top as they waited for them.

    Once everyone was together, they rushed inside just as the Titans closed in on them. The control room was constructed of glass and had five enormous columns. A narrow projector in the floor displayed a holographic image of their galaxy. Lights all over the room represented the cables.

    "This is it," said Cade. "Time to banish the Titans to Tartarus!"

    "Five of our transporting gates have been installed as engines for the Ark. These will get us out of this system as fast as possible," said Teutor. He punched in the codes at the side of the control panel in front of him.

    "Activate the portal, now!" Feidlima screamed in urgency.

    Five multicolored domes emerged from the panel before the council. Each Spacer touched the one before them. Immediately, hundreds of moon-sized panels circled around the stellar region to create a planet - encompassing ring which in turn created a vortex to swallow both the entire planet and Titan fleet.

    The Titans were caught off guard as the vortex was formed. They tried to fly away from the planet, but it began growing. Their open rift also fed on it making it grow faster. The Titans tried to give their ship all the power they had to warp themselves out of the system. But it was no use; the vortex swallowed them up faster than they could escape.

    The Spacers looked at their galaxy map for a new planet to resettle. Their planet was being pulled in by the vortex. They must leave if they didn’t want to be banished with the Titans. Cade touched a planet within the Navi system and everyone grabbed a hold of something as the Ark shook from the vibrating gates.

    The control panels split in half and a glowing white column emerged from between them. It flashed and beeped rhythmically, indicating that someone was trying to make contact. As they answered it, an image of Seiton, the leader of the Titans, appeared before them. His beastly eyes shone red with anger.

    "Spacers," Seiton snarled in disgust. "What have you done?"

    "We are banishing you from the galaxy!" Cade shouted.

    "Fools,” he warned. “Do you truly think you can so easily get rid of me?  I will be back before long. Soon, I will find the Source and recreate all in accordance to my own will!"

    Feidlima looked into his devilish eyes, clutched her own eyes, and fell to the floor. The implants within her temples allowed her to see anyone’s future while looking at their eyes. Cade touched the glowing column and the Spacer gates launched them out to safety. Seiton snarled as his transmission was ending, "I will return!"

    Cade and Teutor ran up to Feidlima just as the Ark started to spin. Nearly every Spacer was strapped against as the wall. The portals had enough force to propel the Ark away from the growing vortex. It was then shot away from the region and into the other side of the galaxy. The Titans were finally exiled.

    The last Spacers unstrapped themselves and looked out the window. After fighting across the galaxy for thousands of years, space was now quiet again. For others, it was their first time seeing a calm sea of stars. At long last, the Titans were finally exiled.

    The group got Feidlima to her feet. She opened her eyes and tears poured out of them like a fountain. She clutched her head as the implants radiated the pain from her temple. Teutor helped her to a bench as she tried to calm herself. Cade approached her and asked, "What happened?"

    Feidlima panted loudly, trying to regain her composure enough to answer. After a few moments she was calm enough to answer. "I looked into his eyes and saw our fate. I saw the future of us all."

    "The war is over," said Cuno. “Seiton will never return.”

    "No, Seiton will come back!" She cried and rubbed her eyes, as if trying to get rid of the vision.

    "Tell us more of this vision," said Cade.

    Feidlima wiped her eyes, "He will return and turn every piece of technology against our kin. Soon after, he will have access to the Source and recreate the universe."

    The Council looked at each other trying to figure out what they must do. Seiton’s banishment was the only way to end the war. Or so they thought.

    “Seiton is beyond insane!” Cuno shouted. “He and the Titans wiped out the Mechanoids and drove us to near extinction.”

    Judus turned to Feidlima, “What else did you see in the vision?”

    Feidlima continued, "I did see other worlds inhabited with a variety of intelligent beings...but we never interacted with any of them.”

    Cade took a minute to think. "My comrades, we have been raised by the Mechanoids to thrive in the galaxy with the Titans before Seiton. For thousands of years, generations have been fighting from planet to planet. We took our last stand and banished them. In Feidlima’s vision, she saw primitives with various powers and skills that would be very useful. If Seiton returns, we must have the primitives ready for him."

   "How?" Judus asked.

   Cade went on to explain. "We shall meet them face to face and cultivate them into civilization. Once their civilizations are established, their technology will grow to be as advanced as ours. With our guidance and their technological advancement, they will come together and assemble the most powerful legion the galaxy has ever seen. Then we will truly defeat the Titans."

   "What if we don't survive until then?" Feidlima asked, flustered with palpable concern.

   "We have to. Otherwise if we die, then they will all die."
This is a new prologue to the first Hybrid Story. My friend suggested I write a different prologue that started before Helen's Hospital Scene that way the readers will get a better idea of what the heck is going to happen next. What do you think?
The preview image was drawn by 0-xcheekymonkeyx-0 Check her gallery if you want to. 0-xcheekymonkeyx-0.deviantart.…
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Wow, this thing is sitting in 196 groups and there are just 25 comments so far. Ugh, I guess that's dA for you. Sometimes I wish these group admins would either actually give feedback or just be more selective about what they pass through submission, but I digress.

First I'd like to congratulate you on following your dreams and getting an entire draft of a novel typed out. 37 chapters is a lot and most people do not have that kind of commitment. But based on what I see here I think you have A LOT of work ahead of you and I would encourage you to work on getting a few short stories published in actual sci-fi magazines in order to have a better idea of what you will need to do to get Hybrid ready for publication. Self publishing works for some people, but I would highly discourage putting Hybrid out there in its present form. The main thing you need at this point is to find a good beta reader who will be brutally honest with you and push you to where you need to be: befriend the best writer you can find, invest time into him/her, and then ask for feedback every once in a while. I noticed in your most recent journal that you are reading Resolution by Ezri and I commend you for that. Ezri is a great person and I liked the upbeat feel of that novel.

Vision *** - There is only so far you can go with this kind of a setup. What you basically have is a ripoff of mythology deep-fried in sci-fi atmosphere and given the 'recreate the universe' capability you seem to be digging yourself into a hole. My advice: pay attention to what is going on around you in real life, listen to people, and try to integrate more of what you experience and observe into your writings. That being said, excellent presentation can get you very far even with formulaic stories. Truth be told, if the actual prose is good enough you can get away with a lot of the other flaws.

Originality **** - It's always refreshing to see a non-fanfiction story, but as I read this it felt a lot like I was reading a cross between a Thor fanfic and a Stargate fanfic. The way to score points in the originality department is through original characters, original plots, and original settings--none of which I saw in this prologue. Your characters are contrived and one-dimensional; the plot is not particularly complex or unique; and the setting seems as if it was pulled right out of the last Thor movie (you know, that desolate place where Thor was fighting the Dark Elves...).

Technique ** - Dude, DorianHarper wasn't kidding when he said you have a lot of grammatical issues to work out, and based on the latest version that I read I can't say I blame him for blowing off your March 1st comment. Get your [butt] in there and fix this thing!

Impact ** - The key to making an impact is getting a good sense of reader empathy. One of the main problems here is that you introduce too many new words that quite frankly just don't mean anything yet. "Titans," "Spacer Elite," about five character names--the reader hasn't been properly introduced. Think about the beginning of Star Wars IV: there were very few vocabulary words introduced and very few characters' names were mentioned.
What do you think?
The Artist thought this was FAIR
7 out of 7 deviants thought this was fair.

First and foremost, I like that you start right in with the action. I think a lot of writers get a little description heavy in their prologue/1st chapter. That being said, I think it would help to also have one or two sentences as a lead in to the action. Give us a general idea of where this is taking place and why. Only takes a few sentences, not a heavy description.

you write, " White skinned, blue-eyed beings known as the Spacers ran across the rocky desert as they were under attack by their ruthless enemy, the Titans."

I think you can combine this with the next sentence, and have it read. ".....they were under attack by their ruthless enemy, the titans who were slaughtering everyone in their path."

You write, "The hiding Spacers in the bunker grabbed the ionic machine guns from the armory and aimed them out of the openings."

I would recommend: "The Spaces that were hiding in the bunker grabbed the ionic machine guns from the armory...." It flows better this way.

In the next section, be careful of your use of exclamation points. (!) We can gather from the context of the story and action that it is a stressful situation and there doesn't need to be an exclamation point after every sentence.

You write,"A woman dressed in a bulky diamond full battle suit stepped out of the ice cap."
The description of the armor is a little bit awkward here. Maybe "A bulky diamond platted battle suit." You can get rid of the word "full" since a suit would mean being in full. i.e. a suit of armor would have all the components, unless otherwise stated.

You write, " Five domes emerged from the panel. Feidlima touched a blue dome, Teutor touched a purple dome, Cuno touched a red dome, Judus touched a yellow dome, and Cade touched a green dome."

This seems a little repetitive to me. You could have a sentence explaining that each of the domes are different colors and then just add, "Each of the soldiers stood at separate domes." condense it a bit.

You write, " Feidlima looked into Seiton's devilish eyes, clutched her eyes, and fell to the floor." I think you should take a few sentences to explain exactly what it happening to her. I thought her eyes were melting, the first time I read this, or that she had been possessed. Take the time to explain what it happening.

You write, " Her tears poured out as a fountain."

This is a little bit awkward for me. I would choose something other than a fountain. I know she is very upset, but this sentence made it seem a little too cartoon-y for me. You could just say, "Tears poured down her face."

Overall, I enjoyed your prologue. I think you have a good start here. Thanks for sharing!
What do you think?
The Artist thought this was FAIR
3 out of 3 deviants thought this was fair.

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Crtfd Featured By Owner 2 days ago  Hobbyist Artist
Nice job ! 
Bclement117 Featured By Owner 2 days ago
Thank you! :) What did you like about it?
unicornsquest Featured By Owner Nov 26, 2014  Professional Traditional Artist
Excellent! Well done!
Bclement117 Featured By Owner Nov 26, 2014
Thank you! I expanded the book so people can understand it more.
0-xcheekymonkeyx-0 Featured By Owner Oct 15, 2014
This is much better! You've improved a lot and it definitely keeps the reader more in suspense and the plot itself.
Bclement117 Featured By Owner Oct 16, 2014
Thank you so much! :)
0-xcheekymonkeyx-0 Featured By Owner Oct 16, 2014
Anytime :)
My-Sword-is-Bigger Featured By Owner Jun 2, 2014  Hobbyist General Artist
Hey, here are the rules for submitting a piece to Try-Your-Page. You sorta have to give just a bit of quick feedback to other works before your work can be submitted. Thanks! :D (Big Grin)
Cobrateen Featured By Owner Mar 9, 2014  Hobbyist Writer

Critique courtesy of GrammarNaziCritiques:

Right away the line “A hundred thousand years ago, there was a planet” has me worried. Why a hundred thousand years ago? Why not ten thousand years or a million years or a hundred thousand and one years? I mean, I doubt it was exactly that number of years, unless this story starts on some kind of celebrated anniversary. It's a cliché but “Long ago” is a much stronger start because it doesn't cause me to ask questions that are unimportant, thus taking me out of the story … or if the number of years is important, how? Consider the line “One year ago the battle began” and what that tells the reader; not just that a battle began or that it began a year ago, but also we can expect a certain mood for the start, a We've Been At War For A Year mood. That's different from one month or several years or a lifetime, and thus interesting.

And then the rest of your first paragraph just confuses me: first the Spacers and the Titans are warring, and I'm cool with that. I imagine these two giant armies clashing, trading blows and not caring about the neutral third parties they hurt or the planets they ravage. But then the Spacers are running desperately from the ruthless and unstoppable Titans? That's not a war, that's a genocide. It sounds like the Titans are doing all the ravaging and the Spacers are just trying to get away. And are they both extraterrestrial? Meaning they chose some planet other than their own to have this not-war?

Second paragraph and onward, I think I'm feeling whiplash from this sudden close-up view of a battle. This works in film when a narrator does a voice-over explaining current events (first paragraph) while we see a battle that epitomizes those events (second paragraph and onward) but you are not writing a film script, you are writing prose. There are differences between the two. Maybe if you made that first paragraph italic to differentiate it?

And because you are not writing a film script, don't do that whole “each Titan was fully armored with bulky muscles and grey skin with glowing purple wounds and scars were clearly visible. They were slightly larger than a Spacer, and have goat horns sticking out at each side of their heads. Each of them carried heavy duty weapons.” That's too much description at once for prose, space out your descriptions and start with the important stuff like the horns. That line feels exactly like you are giving description to the makeup and wardrobe team, it needs to come off more naturally for your readers.

“and scars were clearly visible” makes the sentence run on, try something like, “glowing purple wounds, their scars clearly visible.”

“and have goat horns” needs to use “had” since the rest of this piece is in past tense, be careful with your tenses

For some reason I can't see this first scene very well. I thought Fedlow and his soldiers jumped in a convenient trench and started firing last-stand style, but the Titans were so badass that it did nothing and so the Titans were standing over them - “As they looked up” - about to kill them. But then Fedlow calls for reinforcements, gives a one-liner pep talk and they all shoot some more … and the Titans are only now coming to get them with tanks? I thought they were right there, but now they are across the field of battle?

Don't tell us that the Spacer guns malfunctioned, show us and make it interesting. And what, they all malfunctioned? Isn't that kind of weird or suspicious?

Unless those are self-propelled grenades they did not fly them at the Titans, I think you meant “threw” instead of “flew” … although self-propelled grenades would be pretty futuristic and cool.

“All of a sudden” is one of the most cliché ways to start a sentence; it immediately tells the reader that whatever happens next will be different and important, so why not show how different and important it is instead? Which you do by showing the opposing side become a frozen landscape as a woman in badass armor steps in to the scene and kills all the Titans in thirty seconds. You don't need that start to show that the tide was turned all of a sudden because we see it happen.

“a woman in a bulky diamond full battle suit with” would be easier to understand. And where are the flames? In her armor? In her hands? Above her head? And why does she “appear” as a woman? Using “appeared” like that implies she is not as she seems. Maybe change the last two sentences of that paragraph to say something like, “A woman appeared in a bulky diamond full battle suit, burning blue flames around her hands as she stepped out of the ice cap.” Then when Fedlo bows to her he introduces her more naturally as “Councilor Feidlima” instead of just “Dear Councilor” which feels a little smarmy.

Instead of telling the reader he thinks she is insane, show us in some way, maybe with big shocked eyes, mouth agape, or just have him add, “Are you insane?!”

I'm really curious how they transported the Titans … this could be something to be revealed, but I'm worried it will turn out to be a plot hole. If they could transport the Titans here, why not transport them in to a star or a black hole or something? Or maybe you mean they lured them all here, but then how? Are the Titans really dumb enough to all be lured to one place, to what is obviously a trap?

So I understand that this mountain is also the pyramid mentioned by Captain Carato, and so they were headed there from the start … but they seem to have arrived really quickly. Why wasn't the mountain part of the scenery description during the trench fighting if it was so close? And why did they jump in the trench for a last stand if the mountain where the guys with super powers had gathered was so close? And you know that a mountain is not the same as a pyramid, right? The visual, in other words what the reader sees in their mind's eye, is completely different.

Even more cliché than “All of a sudden” is a man named Judus who smiles and promises to have your back. It's not bad, but I will roll my eyes when he betrays everyone, and if he doesn't betray everyone then why was he set up to do so? It's a lose-lose name unless you are doing something really, really clever with it … which, having read to the end now, maybe you are.

Please read what you write out-loud, preferably with someone listening. Note where it sounds awkward, like “Five domes they must touch to activate the ring” as if Yoda was the narrator. Change those places.

A static image means unmoving, and yet Seiton (lol, Satan) looks at them, his eyes glow red and he snarls. That's a lot of movement right there, not static at all.

How in the world did the vortex pull in every Titan ship, but not the Spacer ships nor the pyramid-ship? Their victory over Satan strains credulity to the breaking point, it's too easy. Maybe someone has to do a heroic sacrifice, maybe Judus shows he isn't such a bad guy by distracting Satan for a while as everyone else sneaks away using cloaking illusions, then Judus hits the win button and goes out with a smile … ha, because Judus was a double agent and is betraying Satan! Or maybe the entire Spacer fleet is banished along with Satan, heroic sacrifice on a species scale, while the Councilors survive because the pyramid is protected.

Okay, so thanks to Feidlima having that convenient vision we now know why a hundred thousand years was important … still, it feels silly, like the narrator knew she would say that later and so was able to say “One hundred thousand years ago!” with complete honesty and without any irony. If it was me, I would take out that “One hundred thousand years ago” from this prologue and instead use “One hundred thousand years later” to start the first chapter because at least by then we know why that number is important … or even better, just get rid of those exact numbers entirely and have Feidlima say that Satan would return someday, she doesn't know when.

Despite it's awkward writing or cliché moments, this prologue genuinely works well to start a story about a world in which technology is both our greatest strength and weakness. Cade wants to guide the primitive race (Humans I assume) to be technologically advanced … which is the stupidest plan he could suggest seeing as Feidlima just told them that Satan would win using their technology, it seems like what he should do is suggest they keep the primitive people primitive while training them to be badass warriors even without tech. But hey, people suggest dumb plans sometimes, it works. Anyway, I can see Cade's dumb plan leading to a modern day where technology is feared (Satan will see you though your TV!) and respected (we need technology to defeat Satan!) and so there are genuine fears of networked technology, but maybe the Humans forgot why and so people are starting to do it anyway … a clever parallel to the real world where social networking is sometimes called the tool of the devil and seems to be capable of both bringing us together and tearing us apart. And meanwhile those Councilors were guiding humanity in their own ways, such as Teutor creating the Teutonic Knights or Judus being Judas. If you're doing something like that I applaud you, that's very ambitious and cool!

In summery, please read what you have written out loud and fix the writing that sounds awkward, there's quite a lot of that; if you don't know what sounds awkward, all I can say is read more. If you want to write a movie script then I suggest you do so, but know the difference between the two. Spelling seems pretty good but there's a small bit of work to be done with tenses still, as well as point of view. Remember to show don't tell, and especially work on describing the environments so that readers can see the scene and know where everything is … but to be honest small stuff like all that is excusable, especially when you have a clever, ambitious and visually dramatic story like I hope you do.

Any questions?

Bclement117 Featured By Owner Mar 10, 2014
Alright then, I see you point on this prologue. I have followed your tips and I made the prologue sound much better now. I added some more details not trying to sound like I am telling. I fixed the parts you have seen and kept looking it over. Would you be able to reread this? Would you also be interested in the next chapter?
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